Process Art as a Student Art Therapist

Jennifer Lee (Montreal, QC)

Not only has this practice emerged to shape and engage my challenging emotions using embodied and generative practices, but it has helped me to gain new perspectives and develop a new relationship with art-making: viewing the art process as a container and intermediate space of creation, contemplation, intention, and reflection.

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Vol 6 / Issue 1Sarah Gysin
The Art of Repair

Maria Riccardi & Gabrielle Gingras (Montreal, QC)

As art therapists, we make mistakes and enter the relationship with our own history, bias, and sensitivity. Consequently, it is important that we demystify and normalize potential ruptures and take ownership of our mistakes in order to repair them with our clients.

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Vol 6 / Issue 1Sarah Gysin
Ways of Seeing

Patricia MacAulay (New Glasgow, PEI)

Repeatedly, I saw that a change in perspective on an adult’s part altered the way that they interacted with a child, thus increasing the child’s sense of safety. I also saw changes in the adult as they developed greater confidence in their ability to relate to children and deeper compassion for themselves and others.

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Vol 6 / Issue 1Sarah Gysin
Building a Home For Your Emotions

Nature’s Way
Taylor Bourassa (Ottawa, ON)

The true nature of emotions is that they’re playful little communicators. So naturally, I think of the faeries. Those fair folk who live in the trees and underground, in mounds and hills, under the ocean and in the reeds.

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Vol 6 / Issue 1Sarah Gysin
Créativité artistique et processus psychiques en art-thérapie en visio-consultation

Emmanuelle Cesari & Liliane El Dib (Paris, France)

On peut voir sans être vu, mais on ne peut toucher sans être touché, ce sens est fondamentalement réciproque, il tisse des liens. Il a deux fonctions complémentaires : il nous permet de définir les limites de notre corps, de nous sentir nous-mêmes, pour ensuite nous projeter, entrer en communication et agir sur le monde.

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Vol 6 / Issue 1Sarah Gysin
When Self-Portraits Tell the Story

Anna Nike Leskowsky (Toronto, ON)

A desire to connect with other people through painting portraits was always a part of my creative work. I painted images of my daughter to express love for her; I drew impressions of my brothers to communicate the unconditional bond between us; I included my other family members in this process because I missed or admired them and naturally, I turned to painting self-portraits to explore my own identity.

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Vol 6 / Issue 1Sarah Gysin
A Reflection on Value for 2023

Stefanie Munro (Regina, SK)

We learn, grow, stumble, and repeat to find deeper meanings in ourselves and in the world around us. There are no right or wrong answers; there are only layers, interpretations, and choices. Art bores into the solidified layers of our defenses to show us who we are and who we can become.

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Vol 6 / Issue 1Sarah Gysin
President's Message

Amanda Gee (Lower Sackville, NS)

I forgot about all of the spiders in Nova Scotia and have found myself fascinated by them since moving home. They are always ‘creating’ and ‘recreating’ building functional structures that are full of beauty when caught in the sunlight or glistening with dew. As an artist and an art therapist I am also always creating and recreating, always growing, and always trying to create and recreate safe creative spaces in which my clients can do the same.

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Vol 5 / Issue 3Sarah Gysin
Editor's Note

Sarah Gysin (Ottawa, ON)

This issue, we invited art therapists to share stories of how they use artmaking as a tool for action or have witnessed the impact art-making can have in their clients and community as a way of stirring, drawing out and forward, or instilling motion—whether on a personal level or a systemic one.

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Vol 5 / Issue 3Sarah Gysin
A Conversation with LIFE as Medicine

Art Therapy Conversations
Rebecca Montgomery (Vancouver, BC)

LIFE as Medicine is a Circle of First Nations, Metis and Inuit Creative and Expressive Arts Therapists whose work promotes collaborative relational healing with Indigenous Peoples and communities. This month, Rebecca had the pleasure of connecting with the three members of its leadership team, Dr. Fyre Jean Graveline, Jen Vivian, and Jean Tait.

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Vol 5 / Issue 3Sarah Gysin
The power of choice

Shae Anthony (Vancouver, BC)

In offering art therapy, therapists support an individual’s ability to choose and access art materials, to sit in a calm space, and to take rest. Despite facing circumstances that people can’t change, when art making, an individual is free to express themselves on their own terms.

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Vol 5 / Issue 3Sarah Gysin
Sharing the Mysterious Language of Art

Anna Nike Leskowsky (Toronto, ON)

Every time I passed by the photograph displayed on the wall of my dining room, I thought to myself, “I must draw this image.” Many years ago, my grandfather, an architect and an artist, captured the tranquility of his daughter’s rehearsal by taking a picture. I suspect that then he wanted to do exactly the same thing I was now planning to do: make a drawing of the young dancer.

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Vol 5 / Issue 3Sarah Gysin
Explorer l’approche sensorimotrice bilatérale d’Elbrecht et amener le changement par l’autocompassion à travers la recherche heuristique

Pascale Laberge-Milot (Sherbrooke, QC)

A travers un processus créatif favorisant l’interconnexion des deux hémisphères du cerveau, tout en revitalisant les sensations, le corps et les émotions, cette démarche m’a permis d’expérimenter en quoi cela pouvait apporter plus de vitalité et d’entièreté à l’existence.

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Vol 5 / Issue 3Sarah Gysin
Pourquoi et comment les arts plastiques et la visio-consultation se prêtent aux ateliers d'art-thérapie ?

Emmanuelle Cesari & Aline El Ramy (France, Lebanon)

D’où l’importance de l’art-thérapie qui vient remplacer l’expérience traumatisante de la personne par une autre expérience de création, de plaisir et de joie de vivre. A long terme, l’art-thérapie peut modifier le fonctionnement cérébral et donc permet de court-circuiter la transmission transgénérationnelle de traumatismes et de problèmes psychologiques.

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Vol 5 / Issue 3Sarah Gysin
Arts-based research workshop on response art

Elisabeth Ioannides & Maria Konti (Athens, Greece)

Response art functions as the intermediate space where the art psychotherapist’s personal experience meets something else. The participants were invited in this workshop to answer/explore/wonder particularly on this “something else”: through a case study, their own experience, and the experience gained in the workshop, they were invited to ponder on how they connect response art to their practice as art psychotherapists.

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Vol 5 / Issue 3Sarah Gysin
Making It, CRATE

Christy Herdman (Calgary, AB)

The overarching goal is to be a catalyst for change and to use art as a medium to enhance the emotional intelligence of the next generation; encouraging one to feel the feels, knowing all feelings are valid. CRATE Workshop for Kids series provide children the tools to build their vocabulary of different emotions to enhance their emotional competence.

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Vol 5 / Issue 3Sarah Gysin
Bouquets of gratitude

Nature’s Way
Taylor Bourassa (Ottawa, ON)

Nature’s Way is a regular column in Envisage that explores eco-art therapy and invites practices of enhancing our relationship with the earth. In this issue, Envisage writer Taylor Bourassa shares the importance of recognising, reflecting, and expressing gratitude for the important places in our lives.

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Vol 5 / Issue 3Sarah Gysin